Learning to write
sound, interesting, sometimes elegant prose is the work of a lifetime.
The only way I know to do it is to read a vast deal of the best writing
available, prose and poetry, with keen attention, and find a way to make
use of this reading in one's own writing. The first step is to become a
slow reader. No good writer is a fast reader, at least not of work with
the standing of literature. Writers perforce read differently from
everyone else.
Most people ask three questions of what they read:
(1) What is being said?
(2) Does it interest me?
(3) Is it well constructed?
Writers also ask these questions, but two others along with them:
(4) How did the author achieve the effects he has?
And
(5) What can I steal, properly camouflaged of course, from the best of what I am reading for my own writing?
This can slow things down a good bit.
JOSEPH EPSTEIN
Most people ask three questions of what they read:
(1) What is being said?
(2) Does it interest me?
(3) Is it well constructed?
Writers also ask these questions, but two others along with them:
(4) How did the author achieve the effects he has?
And
(5) What can I steal, properly camouflaged of course, from the best of what I am reading for my own writing?
This can slow things down a good bit.
JOSEPH EPSTEIN
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